{"id":7815,"date":"2017-07-19T15:17:50","date_gmt":"2017-07-19T09:32:50","guid":{"rendered":"http:\/\/pahichan.com\/?p=7815"},"modified":"2017-07-23T14:42:40","modified_gmt":"2017-07-23T08:57:40","slug":"finding-a-place-for-the-queer-actor-in-philippine-cinema","status":"publish","type":"post","link":"https:\/\/pahichan.com\/en\/finding-a-place-for-the-queer-actor-in-philippine-cinema\/","title":{"rendered":"Finding a place for the queer actor in Philippine cinema"},"content":{"rendered":"<div class=\"cnn-life story-byline\"><strong>Kathmandu(Pahichan) July 19<\/strong>\u00a0\u2014 When you picture a Filipino leading man or woman, who do you see?<\/div>\n<div id=\"cnn-life-fullwidth-article-body\" class=\"article-maincontent-p cnn-full-width cnn-life-body\">\n<div id=\"content-body-285198-413216\">\n<p>You probably picture someone conventionally attractive \u2014 a person who\u2019s tall, fit, typically fair-skinned. You probably imagine someone relatable \u2014 an actor who strikes a raw emotional connection with filmgoers. But do you necessarily picture someone straight?<\/p>\n<p>You\u2019d be hard-pressed to imagine a non-heteronormative actor with the box office pull of a John Lloyd Cruz or an Anne Curtis, with the same breadth of roles and genres. Vice Ganda aside, there seem to be no queer personalities whom the industry trusts in films and audiences are willing to see time and again. Even then, Vice Ganda\u2019s oeuvre has been limited largely to comedies where he plays the almost one-note archetypal\u00a0<em>bakla<\/em>.<\/p>\n<p>So we ask the question: Is the Philippines ready for queer leads to take the fore, in both gay and straight roles? For its gay actors to come out comfortably? For its non-heteronormative heartthrob to woo the masses?<\/p>\n<p><img decoding=\"async\" class=\"inline-top img414047\" src=\"http:\/\/cnnphilippines.com\/incoming\/e309wb-facifica-falayfay\/ALTERNATES\/FREE_720\/facifica%20falayfay\" alt=\"facifica falayfay\" width=\"100%\" align=\"top\" \/><span class=\"inline-caption inline-top img-caption414047\">Facifica Falayfay. Image courtesy of VIDEO 48<\/span><\/p>\n<p>The roots of LGBTQ narratives in Philippine cinema run deep. We saw Dolphy\u2019s comedic albeit deeply human portrayals of gay characters throughout the \u201850s until the \u201880s in films such as \u201cJack and Jill,\u201d \u201c<em>Ang Tatay Kong Nanay<\/em>,\u201d and \u201cFacifica Falayfay.\u201d There was also the unnamed bisexual experimentation of films like \u201c<em>Tubog sa Ginto<\/em>,\u201d \u201c<em>Nagalit ang Buwan sa Haba ng Gabi,<\/em>\u201d and \u201cT-Bird\u00a0<em>at Ako<\/em>.\u201d<\/p>\n<p>Recently, however, we\u2019ve seen more LGBTQ narratives come to theaters. Last year alone saw the release of Jun Lana\u2019s \u201c<em>Bakit Lahat Ng Gwapo May\u00a0<\/em>Boyfriend\u201d and Chris Martinez\u2019s \u201cWorking Beks\u201d (both released through Viva Films) as well as Jason Paul Laxamana\u2019s \u201cThe Third Party\u201d through Star Cinema. The Metro Manila Film Festival had an important transgender moment with\u00a0<a href=\"http:\/\/cnnphilippines.com\/life\/entertainment\/film\/2017\/01\/20\/paolo-ballesteros-interview.html\">Paolo Ballesteros<\/a>\u2019 star-making performance in Jun Lana\u2019s \u201cDie Beautiful.\u201d<\/p>\n<h3 align=\"center\"><strong><u>Notable LGBTQ films in released in the last five years<\/u><br \/>\n<\/strong><\/h3>\n<p class=\"full-width-inline-picture\"><img decoding=\"async\" class=\"inline-fullWidth img414044\" src=\"http:\/\/cnnphilippines.com\/incoming\/c9bz8p-test4.jpg\/ALTERNATES\/LANDSCAPE_1080\/test4.jpg\" alt=\"test4.jpg\" width=\"100%\" align=\"fullWidth\" \/>In the festival circuit, the CineFilipino Film Festival saw \u201cNed\u2019s Project,\u201d Lemuel Lorca\u2019s tale of a lesbian\u2019s attempt to start a family. With its transman played by Chai Fonacier, Victor Villanueva\u2019s road comedy \u201c<em>Patay Na Si\u00a0<\/em>Hesus\u201d played at QCinema. Petersen Vargas\u2019 queer coming-of-age \u201c2 Cool 2 Be 4gotten\u201d and Samantha Lee\u2019s lesbian love story \u201c<em>Baka Bukas<\/em>\u201d were both favorites at the\u00a0<a href=\"http:\/\/cnnphilippines.com\/life\/entertainment\/film\/2016\/10\/28\/cinema-one-originals-2016.html\">Cinema One Originals Film Festival<\/a>.<\/p>\n<p>These were films that for the most part didn\u2019t shy around labels, as if to say, \u201cWhat\u2019s the big deal? Let\u2019s treat the queer as normal.\u201d<\/p>\n<p>Citing \u201cThe Third Party,\u201d director Jade Castro says, \u201cIf you ask me, there\u2019s never been a better year for bisexuals in Philippine cinema than [2016]. For the first time, we have a studio film with a big star, Sam Milby, actually saying the words, \u2018I think I\u2019m bisexual.\u2019\u201d<\/p>\n<p>While seeing more diverse, more out-there narratives is important for LGBTQs in the country, that glaring lack remains, a lack that\u2019s been around since Dolphy first got in drag in 1954. There just aren\u2019t enough openly LGBTQ actors playing these parts. It matters that these stories are out there, but it\u2019s another thing altogether to have LGBTQ actors actually representing the community and telling their stories in the public sphere.<\/p>\n<p align=\"center\"><strong>Everyday gayness<\/strong><\/p>\n<p>When I ask people whether the Philippines is ready for a queer box office star, the immediate response has been, \u201cWell, what about Vice Ganda?\u201d<\/p>\n<p>It\u2019s a question of two things: the range of roles the actor is given and the range of LGBTQ people they\u2019re allowed to represent onscreen. While he has stood up for LGBTQ rights offscreen, Vice Ganda\u2019s performance isn\u2019t always to the benefit of the community, in that he\u2019s more likely to reinforce stereotypes rather than dispel them.<\/p>\n<p>\u201cWhere [Vice Ganda] is, [he\u2019s] making fun of the image of the\u00a0<em>bakla<\/em>, so in that sense it is reinforced. So that when you take out that image of the<em>\u00a0bakla\u00a0<\/em>beyond the stage, it still has that stigma,\u201d says Dr. Jozon Lorenzana, Ph.D., an assistant professor at the Communication Department of Ateneo de Manila University.<\/p>\n<p>An anthropologist whose research has also covered media theory and gender studies, Dr. Lorenzana adds, \u201cThat\u2019s why the image of the\u00a0<em>bakla\u00a0<\/em>has never migrated into the respectable domain, because even in its performance, it is still rendered as a kind of amusement, a kind of spectacle. [Queerness] has not crossed into the everyday life, because that\u2019s the ultimate test: When being\u00a0<em>bakla<\/em>\u00a0is everydayness.\u201d<\/p>\n<p>Still, other examples remain scarce. Openly lesbian actors in the Philippines are even harder to find examples of. There is no lesbian box office equivalent to Vice Ganda, nor any out lesbian actors with recent big-studio roles. There are more prominent transgender men and women, such as Aiza Seguerra,\u00a0<a href=\"http:\/\/cnnphilippines.com\/life\/culture\/2016\/06\/03\/charice-mega-man.html\">Jake Zyrus<\/a>, and BB Gandanghari, but none have had any recent acting work.<\/p>\n<blockquote class=\"quote-right quote-width50\">\n<p class=\"width50\">\u201cFeeling ko yung danger, kaya nagkakaroon ng typecast kasi pag sinabing gay role, nag-re-resort lahat sila to the same mannerisms, to the same manner of speaking,\u201d says Juan Miguel Severo<\/p>\n<\/blockquote>\n<p>Elsewhere in the world, we\u2019ve seen LGBTQ performers navigate with marginally more ease. Luke Evans, who is openly gay, marked 2017 with roles in \u201cBeauty and Beast<em>\u201d\u00a0<\/em>and \u201cThe Fate of the Furious.\u201d Other out actors such as Laverne Cox, Jonathan Groff, Russell Tovey, Wanda Sykes, Jane Lynch, and Kate McKinnon have managed fairly successful T.V. and film careers. Beloved Canto-pop star and actor Leslie Cheung came out as bisexual late in his career, and despite some pushback from Hong Kong\u2019s conservative critics, remained largely successful until his suicide in 2003. Most of them have also played LGBTQ characters on T.V. (Groff and Tovey in \u201cLooking,\u201d Cox in \u201cOrange is the New Black\u201d) or critically acclaimed films (Cheung in \u201cHappy Together,\u201d and McKinnon in \u201cGhostbusters\u201d).<\/p>\n<p>What makes it so difficult for LGBTQ actors to come out? Director Jose Javier Reyes says a big part of it is how public perception always equates LGBTQ people to sexual deviance. \u201cWhen the LGBT lifestyle is discussed, it is always diminished to sexuality, sexual needs and aberrant behavior,\u201d he says. \u201cSomehow Filipinos still shudder at the thought that there are real and genuine feelings of love shared by two people of the same sex that go beyond the baseline of carnality.\u201d<\/p>\n<p>Alemberg Ang, who produced \u201c2 Cool 2 Be 4Gotten,\u201d also points to an innate culture of avoidance. \u201cPinoys have this penchant \u2014 they know they\u2019re sick but they don\u2019t want to see the doctor? They know already there\u2019s an issue, but as long as they don\u2019t face it,\u00a0<em>hindi siya totoo<\/em>.\u201d Likewise, he says, there\u2019s a fear of LGBTQ labels, because labeling comes with having to face the truth of that identity and all the consequences that follow.<\/p>\n<p align=\"center\"><strong>From where the actor stands<\/strong><\/p>\n<p>During the promotional cycle for his film \u201cWorking Beks\u201d in 2016, where he played a gay call center agent who goes through an HIV scare, actor Prince Stefan did something unusual: He came out of the closet.<\/p>\n<p>\u201c<em>Dumating sa\u00a0<\/em>point\u00a0<em>na parang ayoko nang mag-<\/em>showbiz.\u00a0<em>Parang napagod na rin ako kakapapanggap, kaka-<\/em>acting,\u201d he said in<a href=\"https:\/\/www.facebook.com\/CNNPhilippines\/videos\/1818587058381185\/\">\u00a0an interview with CNN Philippines\u2019\u00a0<em>Real Talk<\/em><\/a>\u00a0back in November.<\/p>\n<p align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2FCNNPhilippines%2Fvideos%2F1818587058381185%2F&amp;show_text=0&amp;width=560\" width=\"560\" height=\"315\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>As an actor who hadn\u2019t had any major roles up until that point, the announcement didn\u2019t make too many waves, but it was an important step and Prince Stefan\u2019s post-coming out career will make for a useful case study. So far, he\u2019s gotten two supporting roles in two ABS-CBN\u00a0<em>teleseryes,\u00a0<\/em>\u201cA Love To Last\u201d and \u201c<a href=\"http:\/\/cnnphilippines.com\/life\/entertainment\/television\/2016\/08\/30\/jadine-newest-teleserye.html\">Till I Met You<\/a>,\u201d either as the gay friend or the gay character\u2019s love interest.<\/p>\n<p>Arguably, he\u2019s been typecast since coming out, but Eric Cabahug, a creative manager and marketing manager at Viva Entertainment, the company that manages Prince Stefan, says, \u201cLooking at it differently, the other side of the coin is if he hadn\u2019t come out, he probably would not have gotten these roles, because he isn\u2019t\u00a0<em>naman<\/em>\u00a0a big star. Because he came out, he was considered for these roles.\u201d<\/p>\n<p>Certainly, there\u2019s pressure from a conservative society to stay in the closet, but are there industry limitations in place? Cabahug explains that there\u2019s nothing contractually preventing Viva\u2019s artists, at the very least, from coming out.<\/p>\n<p align=\"left\">\u201cThe limitations on paper are generic \u2014 of course, no scandals, no questionable activities and whatnot \u2026 Generally I think the industry lets the actor decide for themselves if they want to come out or not. It\u2019s really up to them. As far as Viva\u2019s concerned, we don\u2019t really tell our actors to do things.\u201d<\/p>\n<p>Cabahug says pressure is largely societal, but an actor\u2019s fear that they\u2019ll be typecast plays in as well. \u201cI guess it\u2019s still the stigma of being gay,\u201d he says. \u201cOf course, professionally, there\u2019s that factor of \u2018I might get fewer roles\u2019 or \u2018People might not see me as a credible leading man.\u2019 There\u2019s that professional consideration\u00a0<em>na rin<\/em>.\u201d<\/p>\n<p>\u201cI&#8217;ve heard it many times on the set whenever I&#8217;m at shoots,\u201d says film and theater actor Gio Gahol. \u201c<em>\u2019Wag mo masyado banggitin na hindi ka\u00a0<\/em>straight<em>, sayang ang trabaho,<\/em>\u2019 or \u2018<em>\u2019Pag may jowa ka, \u2018wag mo na lang pagsabi. Mas bebenta ka kung<\/em>\u00a0straight<em>\u00a0ka at<\/em>\u00a0single.\u2019 I think it&#8217;s primarily about marketability. The general audience is always looking for someone to have a crush on and you have to play it that way.\u201d<\/p>\n<p><img decoding=\"async\" class=\"inline-top img414034\" src=\"http:\/\/cnnphilippines.com\/incoming\/a80sun-jms-diptych.jpg\/ALTERNATES\/FREE_720\/jms-diptych.jpg\" alt=\"jms-diptych.jpg\" width=\"100%\" align=\"top\" \/><span class=\"inline-caption inline-top img-caption414034\">Severo shares that as a queer actor, he was able to explain to writers and directors the ways the scripts failed to accurately capture the LGBTQ experience. Photos by CZAR KRISTOFF<\/span><\/p>\n<p>Film and T.V. actor\u00a0<a href=\"http:\/\/cnnphilippines.com\/life\/culture\/literature\/2016\/08\/29\/juan-miguel-severo.html2\">Juan Miguel Severo<\/a>, however, questions the nature of typecasting. While he acknowledges that many gay characters are written as flat stereotypes, he explains that actors also tend to limit their portrayals to these stereotypes. \u201cGay is not the character, gay is just the sexuality of the character. As an actor\u00a0<em>kasi<\/em>, it\u2019s our job to find the human in each character\u00a0<em>kung paano man siya sinulat,<\/em>\u201d he says.<\/p>\n<p>\u201cFeeling\u00a0<em>ko\u00a0\u2018yung\u00a0<\/em>danger<em>, kaya nagkakaroon ng<\/em>\u00a0typecast\u00a0<em>kasi pag sinabing<\/em>\u00a0gay role,\u00a0<em>nag-re<\/em>-resort\u00a0<em>lahat sila<\/em>\u00a0to the same mannerisms, to the same manner of speaking.\u00a0<em>Meron nang iisang<\/em>\u00a0toolbox\u00a0<em>lang\u00a0\u2018yung pinagkukunan ng kagamitan \u2018pag umaarte sila nang bading<\/em>.\u201d<\/p>\n<p>Jake Macapagal, who starred in Sean Ellis\u2019 critically acclaimed \u201cMetro Manila,\u201d explains that he doesn\u2019t want to play the victim and that from where he stands, talent remains tantamount.<\/p>\n<p>\u201cAt the end of the day, I still think it has nothing to do with the LGBTQIA, it\u2019s what you have to offer, your talent. What do you have to offer?\u201d Macapagal asks. \u201cYou need to be able to stand up for yourself and tread your way around that small industry. Now, if you don\u2019t fit into the mold of what the mainstream think of an actor is, you don\u2019t have to follow that road. That\u2019s why you can be independent.\u201d<\/p>\n<p>Reyes points, however, to the way the industry treats actors less as actual artists and more as celebrities. \u201cSince celebrities are founded on sale-ability and marketability, their personal lives are given more premium than what they can offer with their craft,\u201d he says.<\/p>\n<p>It is possible to get by on talent alone outside of these systems. But if an actor wants to play the big studio<em>\u00a0artista<\/em>\u00a0game, the stakes are different: Your public persona sells more than talent will.<\/p>\n<p align=\"center\"><strong>Roadblocks ahead<\/strong><\/p>\n<p>While there are no limitations on paper, implicit boundaries remain for queer actors in the industry. Nothing seems to be stopping them from coming out and expressing themselves freely, but there is a valid fear of hitting professional roadblocks after coming out. In that regard, coming out must look like career suicide to a closeted actor in the Philippines.<\/p>\n<p><img decoding=\"async\" class=\"inline-top img414043\" src=\"http:\/\/cnnphilippines.com\/incoming\/40quf2-Photo-1-2.jpg\/ALTERNATES\/FREE_720\/Photo-1-2.jpg\" alt=\"Photo-1-2.jpg\" width=\"100%\" align=\"top\" \/><span class=\"inline-caption inline-top img-caption414043\">\u201cYou need to be able to stand up for yourself and tread your way around that small industry,\u201d says Jake Macapagal. \u201cNow, if you don\u2019t fit into the mold of what the mainstream think of an actor is, you don\u2019t have to follow that road. That\u2019s why you can be independent.\u201d Photos by JL JAVIER\/Courtesy of HOMME ET FEMME<\/span><\/p>\n<p>\u201cAs things stand, there are LGBTs already working as actors and public figures in the local film and television industries. Ultimately, their decision not to come out is not something we can begrudge them,\u201d says Dr. J. Neil Garcia, Ph.D., a professor at the University of the Philippines College of Arts and Letters, who has written extensively on queer theory. Dr. Garcia adds that coming out is a deeply personal question for LGBTQs, one they should be given the time and space for. \u201cOuting is morally wrong, and it\u2019s perfectly understandable why many Filipino LGBTs choose to remain only selectively out.\u201d<\/p>\n<p>Dr. Lorenzana points to BB Gandanghari, who came out as transgender in 2009, as a case study for career trajectories of LGBTQ actors after they\u2019ve come out. Lorenzana notes that audiences were drawn to the authenticity of the coming out, but perhaps there simply weren\u2019t enough roles, or enough scripts for a transgender actors after that point.<\/p>\n<p>\u201cWhen you\u2019re a celebrity, you take into account audience tastes because you have to perform for the audience. You need to make a living out of that kind of image,\u201d Lorenzana says. \u201cIt is something else if you\u2019re an ordinary person \u2014 you only have that identity because you\u00a0<em>are<\/em>. You don\u2019t perform for a crowd who have varied opinions and whose opinions actually matter. There was a lot of burden on her part to sustain that kind of performance. As a celebrity, the commercial element will come into play.\u201d<\/p>\n<blockquote class=\"quote-left quote-width50\">\n<p class=\"width50\">\u201cThat\u2019s why the image of the bakla has never migrated into the respectable domain, because even in its performance, it is still rendered as a kind of amusement, a kind of spectacle.\u201d &#8211; Dr. Jozon Lorenzana, Ph. D.<\/p>\n<\/blockquote>\n<p>The lack of meaningful roles is another serious roadblock to consider for transgender actors. Mimi Juareza, for example, won a Best Actor trophy at the Cinemalaya Philippine Independent Film Festival in 2013 for her moving performance in Eduardo Roy Jr.\u2019s \u201cQuick Change\u201d and took on a supporting role in last year\u2019s \u201cDie Beautiful.\u201d<\/p>\n<p>Still, she finds herself hindered in an industry where roles for a transgender woman are few and far in between. Where they exist, she says, she\u2019s had to compete with cisgender male actors in drag.<\/p>\n<p>\u201cI wish and hope\u00a0<em>na dadami pa ang mga\u00a0<\/em>filmmakers\u00a0<em>na gagawa pa ng mga makabuluhang pelikula\u00a0<\/em>about trans people, so that people will learn to accept fully that that we are also existing, so that people will embrace us more and open more doors for us.\u201d<\/p>\n<p align=\"center\"><strong>Role models and ratings<\/strong><\/p>\n<p>Coming out isn\u2019t always a dead end, because coming out is an opportunity to connect with an audience that craves \u201creality\u201d in media. Lorenzana says, \u201cThe Philippine audience has a penchant for authenticity, because sometimes the actors are seen as not acting but just performing who they are. That\u2019s one of the ways we imagine our actors, like the classic example is\u00a0<a href=\"http:\/\/cnnphilippines.com\/life\/entertainment\/television\/2016\/07\/19\/aldub-behind-the-scenes.html\">Alden and Maine<\/a>. What is real there? Are they actually acting? That is where we are now in terms of this kind of celebrity-audience relationship.\u201d<\/p>\n<p>Is it possible, then, to have career longevity as an LGBTQ person in the public sphere? Perhaps it\u2019s a matter of pushing limits and learning how to play to the audience, as well as educate them.<\/p>\n<p>There is a need, of course, for more LGBTQs across different media, and having leads in film and on T.V. could do wonders for young Filipino LGBTQs who struggle without role models who look or act like them in media. It\u2019s the ubiquity and accessibility of these role models (superheroes, romantic leads and the like) that make them powerful. Identifying with an LGBTQ role model already helps children begin developing a positive view of themselves, for example.\u00a0<a href=\"http:\/\/journals.sagepub.com\/doi\/full\/10.1177\/0093650211401376\">A 2012 paper<\/a>\u00a0by Nicole Martins and Kristen Harrison point to a connection between a child\u2019s self-esteem and seeing themselves positively represented in media.<\/p>\n<p>Having openly LGBTQ actors benefits not only audiences, but the films themselves. Severo shares that there have been a handful of opportunities for him to subvert misconceptions and lazy stereotypes in the writing of films he\u2019s been in. As a queer actor, he was able to explain to writers and directors the ways the scripts failed to accurately capture the LGBTQ experience.<\/p>\n<p><img decoding=\"async\" class=\"inline-top img414048\" src=\"http:\/\/cnnphilippines.com\/incoming\/3yh4d3-CNN-Philippines-Life-Cover-Story-LGBTQ-Actors\/ALTERNATES\/FREE_720\/CNN%20Philippines%20Life%20Cover%20Story%20-%20LGBTQ%20Actors\" alt=\"CNN Philippines Life Cover Story - LGBTQ Actors\" width=\"100%\" align=\"top\" \/><span class=\"inline-caption inline-top img-caption414048\">This poster for a fictional action film calls back to FPJ-style action and romance, where the gay characters are played by gay actors; offering possibilities for LGBTQ actors to play roles outside the usual typecasting they often experience. Illustration by RAXENNE MANIQUIZ<\/span><\/p>\n<p>What\u2019s stopping studios in the Philippines from simply putting out a narrative with a gay love team? What\u2019s in the way of showing audiences LGBTQ role models? Lorenzana explains that it\u2019s a complex mix of factors.<\/p>\n<p>\u201cWho chooses [these role models]?\u201d he asks. \u201cIt\u2019s a combination of the audience and the producers. The producers are bound to please the audience and at the same time, please advertisers. And this is where it becomes problematic \u2014 when the media industry is practically fueled by advertising money.\u201d<\/p>\n<p>There\u2019s also the subtle influence of institutions such as the Church keeping LGBTQ people out of the dominant discourse. Dr. Garcia cites a similar example with the 2007 LGBTQ-themed GMA show \u201cOut\u201d which was cancelled abruptly after it was condemned by the Catholic Bishops Conference of the Philippines.<\/p>\n<p>\u201cAdvertisers decided to pull out after the Church officially issued its anathema against it. The audience was there, the market and\/or public was there, but this didn\u2019t really matter in the end, in the face of this powerful institution\u2019s almighty imperatives.\u201d<\/p>\n<blockquote class=\"quote-full quote-width50\">\n<p class=\"width50\">What makes it so difficult for LGBTQ actors to come out? Director Jose Javier Reyes says a big part of it is how public perception always equates LGBTQ people to sexual deviance. \u201cWhen the LGBT lifestyle is discussed, it is always diminished to sexuality, sexual needs and aberrant behavior,\u201d he says.<\/p>\n<\/blockquote>\n<p>Ang points as well to the gatekeepers of media, particularly the MTRCB, which continues to police queer narratives in media. For instance, \u201c2 Cool 2 Be 4Gotten\u201d received a prohibitive R-18 rating upon its wide release this year, immediately hindering its chances to reach a wider audience \u2014 or bigger box office returns.<\/p>\n<p>Still, Ang believes the audience is not as narrow-minded as the gatekeepers perceive them to be. \u201cWe had problems with MTRCB, and it\u2019s probably a very small section of the people in MTRCB, [but for the] general public,\u00a0<em>hindi naman siya\u00a0<\/em>issue. Certain segments we have to open up a little bit.\u201d<\/p>\n<p>Even when LGBTQs are given some mainstream exposure, though, Cabahug notes that viewers don\u2019t always bite. He cites the muted box office reception of films like \u201c<em>Working Beks<\/em>\u201d and \u201c<em>Bakit Lahat Ng Gwapo May Boyfriend<\/em>\u201d as proof that mass audiences aren\u2019t necessarily keen on more nuanced portrayals of LGBTQs.<\/p>\n<p>\u201cThere\u2019s an effort to produce movies that have strong gay characters in the lead, especially in the indie department, a lot of gay-oriented movies with strong gay characters have been produced \u2026 I think it\u2019s the audience\u00a0<em>naman;\u00a0<\/em>it\u2019s not as embracing as they are of movies with the usual [narratives].\u201d<\/p>\n<div class=\"video-container youtube-inline\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/yoPozd0oAww\" width=\"300\" height=\"150\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>Reyes makes a similar point, citing recent T.V. portrayals of LGBTQ characters that scared off advertisers and didn\u2019t seem to make a ripple with ratings. \u201cThe much celebrated \u2018My Husband&#8217;s Lover\u2019 was a good start but that was all it was: a start,\u201d he says. \u201cIt made a lot of noise in social media, but despite the sensitive portrayals of Carla Abellana, Dennis Trillo, and Tom Rodriguez, it never made any impact on the ratings game. The same goes for GMA7&#8217;s \u2018The Millionaire\u2019s Daughter\u2019 that dealt with lesbianism.\u201d<\/p>\n<p align=\"center\"><strong>Final answer?<\/strong><\/p>\n<p>The answer to the initial question \u2014 Is the Philippines ready for queer leads to take the fore, in both straight and gay roles? \u2014 \u00a0then, is no. Given the factors within the industry, the unspoken pressure among actors, and an unstudied, unpredictable behavior of the audience, the Philippines is not ready for its gay lead actor moment. What will it take, then?<\/p>\n<p>The interviewees above pointed to a lengthy, multilateral process. First is the need to normalize non-heteronormative narratives, just by sheer volume. Lorenzana explains that it\u2019s outside the purview of the gatekeepers of the big studio system where these narratives can really flourish. He cites \u201c2 Cool 2 Be 4Gotten\u201d as an example, as a queer narrative that functions within the familiar structure of a coming-of-age. This is a means to make non-heteronormative people and practices part of the everyday.<\/p>\n<p>For Severo, it\u2019s a matter of a single big-studio risk that will break through the barriers \u2014 a foolproof gay film with big names attached, perhaps a repeat of Olivia Lamasan\u2019s 2009 commercial hit \u201cIn My Life.\u201d This unicorn of a film could at once dispel the notion that nuanced gay films can\u2019t bring in box office and open the door for more work in the future. \u201cI think just one risk is enough, one risk that will pay off. If one thing works, they\u2019ll do it again and again,\u201d Severo says.<\/p>\n<p>Perhaps, then, these can lead to the creation of an environment where showbiz personalities aren\u2019t worried about coming out. That\u2019s the second step, very simply, paving the way for someone in the spotlight to be ready to come out into the open.<\/p>\n<p>\u201cFor things to change in local show business, things have to change in our culture, as a whole: more and more ordinary LGBTs should come out, and care about themselves and their rights,\u201d Dr. Garcia says. \u201cOnce enough Filipino LGBTs become politicized and visible in the public sphere, then maybe this will send the right kind of signal for our many talented performers and actors to proudly embrace their identities and come out, on their own terms.\u201d<\/p>\n<p>Copy :\u00a0http:\/\/cnnphilippines.com<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Kathmandu(Pahichan) July 19\u00a0\u2014 When you picture a Filipino leading man or woman, who do you see?<\/p>\n<p>You probably picture someone conventionally attractive \u2014 a person who\u2019s tall, fit, typically fair-skinned. You probably imagine someone relatable \u2014 an actor who strikes a raw emotional connection with filmgoers. But do you necessarily picture someone straight?<br \/>\nYou\u2019d be hard-pressed to imagine a non-heteronormative actor with the box office pull of a John Lloyd Cruz or an Anne Curtis, with the same breadth of roles and genres. Vice Ganda aside, there seem to be no queer &#8230;<\/p>\n","protected":false},"author":44,"featured_media":7816,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[621,490,11],"tags":[447,524],"class_list":["post-7815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-slider","category-world","tag-bisexual","tag-lgbt"],"acf":[],"_links":{"self":[{"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/posts\/7815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/comments?post=7815"}],"version-history":[{"count":2,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/posts\/7815\/revisions"}],"predecessor-version":[{"id":7818,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/posts\/7815\/revisions\/7818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/media\/7816"}],"wp:attachment":[{"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/media?parent=7815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/categories?post=7815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pahichan.com\/en\/wp-json\/wp\/v2\/tags?post=7815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}